This cookie is set by GDPR Cookie Consent plugin. The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". Set by the GDPR Cookie Consent plugin, this cookie is used to record the user consent for the cookies in the "Advertisement" category. These cookies ensure basic functionalities and security features of the website, anonymously. We are treated to a captivating medley of Misty and Waltz for Debbie, as well as the debut of Nigerian Marketplace, the first section of an extended work that would come to be known as Africa Suite.Necessary cookies are absolutely essential for the website to function properly. Recorded at the Montreux Jazz Festival, we can hear just how much he’s grown as a musician in that time. This recording is exciting, emotional and honest.Īt this point in his career, Peterson had been playing professionally for 40 years. One can’t help but marvel at Peterson’s inventiveness and sincerity. Here, he’s joined by guitarist Joe Pass and bassist Niels-Henning Ørsted Pedersen.
This Grammy-winning album marks Oscar Peterson’s return to playing in an ensemble after three years of exclusively playing solo. It’s an intimate concert that’s sure to impress.
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Peterson sets himself free to explore, play and reinvent some jazz classics. Here, we get to appreciate all the intricacies of his style and technique without anything else competing for attention. My Favorite Instrument is the first solo album of his career, and it’s a joy to hear a virtuoso play unaccompanied. This album is a wonderful spotlight on Oscar Peterson. Night Train features a fantastically fun C Jam Blues, a nostalgic-sounding take on Georgia on My Mind and the laidback Bag’s Groove. Though he’s led many trios over the years, this album is widely considered to feature the Oscar Peterson Trio, featuring bassist Ray Brown and drummer Ed Thigpen. One of Oscar Peterson’s most popular albums, Night Train is also one of his most “commercial” albums, as just about all of the songs are kept to a radio-friendly five minutes or less. This album is the perfect introduction to Peterson’s playfulness and signature speed that set the tone of his individual style. He’s able to retain the essence of what makes these songs great while also showing us a whole new side of their potential. Oscar Peterson’s interpretations of songs composed by and closely associated with Duke Ellington show his innate musicality and creativity. Oscar Peterson Plays Duke Ellington (1952) But to help you on your journey, here are five standout recordings from this Canadian legend. With more than 200 published recordings to his name, it’s hard to know where to start exploring this body of work. Over the course of Peterson’s acclaimed career, he won seven Grammy Awards, was awarded the Order of Canada and the Order of Ontario, was inducted into the Canadian Music Hall of Fame. Duke Ellington proclaimed him the “Maharaja of the keyboard.” It’s immediately obvious how much love and dedication he has for his craft. You’d be forgiven for thinking he’s playing with four hands. Known as the “master of swing” or the “king of inside swing,” Peterson made a name for himself with his incredible dexterity, speed and ornate technique on the keys.
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By nine, he was playing at a level that impressed even professional musicians, and at 14, he began a professional career that would last more than six decades. Oscar Peterson is one of the greatest jazz pianists of all time.īorn and raised in Montreal, Peterson began playing piano at the age of five. Out of more than 200 recordings to his name, here are five standouts from the Canadian legend By Raina Hersh Oscar Peterson performs in Hamburg, Germany, in 1974. Oscar Peterson is one of the greatest jazz pianists of all time.
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